Beacons glows in its second year with genre-bending bill

Stealing Sheep, Beacons Festival, 2013.Stealing Sheep, Beacons Festival, 2013.
Stealing Sheep, Beacons Festival, 2013.
Building on last year’s tentative success, the brains behind Beacons scored big last weekend with its genre-bending boutique bash.

The three-day affair saw twice as many punters through its gates yet still maintained its quirky intimacy.

An eclectic bill of bright young things went head-to-head with festival circuit veterans, creating a musical tasting platter catering to even the most jaded of music journalists.

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Friday’s top draw Bonobo packed out the big-top main stage with their chilled out dub-vibes; a process replicated by Saturday’s glitch king Gold Panda who laid waste to the indie-banality of headliners Local Natives.

Stealing Sheep were blessed relief from the downpour on Saturday afternoon, soothing the pounding heads of punters with their glittering folk-pop and three-way harmonies.

Traams gave a riotous performance in the clumsily-named You Need To Hear This tent with fuzzy guitars and kraut-inspired outros, while Leeds’ own Hookworms deafened Sunday’s crowds with their punishing psychedelia.

A playground for the middle-class hipster youth, Beacons excels itself in its sophomore year with lashings of visual delights and hands-on crafts, basking in the glow of its neon art installations.

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